WEBVTT 1 00:00:03.540 --> 00:00:16.560 Kevin Golden: Hello i'm Dr Kevin gold and associate Professor exegetical theology at Concordia seminary in St Louis and blessed to be with you during these coming moments, as we spend some time working through god's word in its original language, specifically in Hebrew. 2 00:00:17.039 --> 00:00:21.240 Kevin Golden: let's ask the lord's blessing upon our time spent together in his word, let us pray. 3 00:00:22.620 --> 00:00:28.020 Kevin Golden: almighty God grant to your church your Holy Spirit and the wisdom, which comes down from heaven. 4 00:00:28.620 --> 00:00:44.580 Kevin Golden: That your word may not be bound, but have free course and be preached to the joy and edifying of Christ holy people that in steadfast faith, we may serve you, and then the confession of your name abide to the through Jesus Christ Our Lord amen. 5 00:00:49.200 --> 00:00:54.480 Kevin Golden: The text that we are specifically looking at is Isaiah chapter 66 verses 10 through 14. 6 00:00:54.690 --> 00:01:07.080 Kevin Golden: let's remember why we are engaged in this activity together our primary goal is that we would grow in our skill, as well as our appreciation for the Hebrew scriptures are skilling translating them out of Hebrew. 7 00:01:07.560 --> 00:01:12.990 Kevin Golden: have a good understanding of the grammar and syntax how the text is operating. 8 00:01:13.470 --> 00:01:17.640 Kevin Golden: But then also we want to grow in our appreciation that as we gain that greater incited. 9 00:01:18.000 --> 00:01:24.810 Kevin Golden: We appreciate the fact that yahweh has given us his word in these very scriptures in this very language of Hebrew. 10 00:01:25.110 --> 00:01:33.570 Kevin Golden: And then also appreciate how that helps us even maybe with some Hama lyrical insight that we can better understand how better to proclaim and deliver god's word is people. 11 00:01:33.870 --> 00:01:49.500 Kevin Golden: In fact, the text that we're looking at here Isaiah 6610 to 14 short text only five verses is appointed for proper nine in the year see of the three year lectionary that will occur in on July, the third 2022. 12 00:01:50.640 --> 00:01:59.760 Kevin Golden: Well let's also remember that we happen to be dealing with Hebrew poetry in Hebrew poetry is known for a variety of things one it is known for its terseness that it. 13 00:02:00.180 --> 00:02:13.470 Kevin Golden: is very abbreviated and short now there's a variety of ways that it does that and this text is going to be a little bit a typical in that regard, if you were with me recently as we looked at another text coming out of Isaiah. 14 00:02:13.800 --> 00:02:17.010 Kevin Golden: We saw the same thing they're also in Isaiah chapter 65. 15 00:02:17.280 --> 00:02:26.640 Kevin Golden: And here we're going to see it in Chapter 66 that are that terseness is that we typically don't have what are known as the three pros particles that pop up within the Hebrew poetry. 16 00:02:26.910 --> 00:02:34.170 Kevin Golden: And that would be specifically the definite article, the relative pronoun and the direct object marker. 17 00:02:34.500 --> 00:02:44.550 Kevin Golden: Now, not as big of a degree, as we saw in that previous treatment of Isaiah 65 here in Isaiah 66 we're still going to see those things pop up a little bit, but not a great deal. 18 00:02:44.730 --> 00:02:55.260 Kevin Golden: But more than what you'd expect in Hebrew poetry, nevertheless, the text is still terse it's very compact and put together tightly and we'll have to fill in a few gaps along the way to happen make sense. 19 00:02:55.800 --> 00:03:03.900 Kevin Golden: Then, also a poetry is known for imagery it's going to have some very clear imagery here in Isaiah chapter 66 and a couple of different ways. 20 00:03:04.200 --> 00:03:14.520 Kevin Golden: Then there's also parallelism or we'll see how from one colon to the next, within a given line of scripture that there is some parallelism some repetition some. 21 00:03:15.000 --> 00:03:23.040 Kevin Golden: Clarification through that parallel parallel ISM but especially in this text is not only from one colon to the next it's really between the lines of poetry. 22 00:03:23.700 --> 00:03:33.870 Kevin Golden: That we have a lot of parallels so be prepared for that, and why is all of this poetic stuff going on well it's true, just as with poetry English or in any language. 23 00:03:34.290 --> 00:03:51.570 Kevin Golden: It really can grab give us a lot of potency when it comes to the delivery of god's word that's certainly true for Isaiah as he delivers the goods to us here in these verses but also it's true that, as we learn from this, it gives us potency and how we proclaim the word as well. 24 00:03:52.830 --> 00:04:03.600 Kevin Golden: Another thing to take note of is we always need to keep on whether we're dealing with poetry narrative or anything keep things in the literary context and you may notice this is Isaiah 66. 25 00:04:03.840 --> 00:04:10.650 Kevin Golden: That is the last chapter of Isaiah we're really coming up on the very end of his of this prophetic book. 26 00:04:10.890 --> 00:04:17.430 Kevin Golden: And that does have an impact because really here we're getting a vision, towards the end times now. 27 00:04:17.670 --> 00:04:30.210 Kevin Golden: you'll notice within these verses that we are going to be working through that there is some attention, it can be partly understood as being a prophecy of realization of this prophecy in the return from exile. 28 00:04:30.600 --> 00:04:38.040 Kevin Golden: But even more than that, we can see a greater fullness of it in its eschatological sense so let's keep a note of that as well. 29 00:04:38.520 --> 00:04:53.430 Kevin Golden: So we are taking a look first of all, at the first two verses of this text and here i've laid it out for you and it's good poetic structure, you may notice again how we have each line is a by cola to colons. 30 00:04:53.910 --> 00:05:06.570 Kevin Golden: Where the first colon is starts us off, and then we follow up with a second colon but the other thing I want you to take note of here is, you may notice that at the end of verse 11 here is the summit. 31 00:05:07.020 --> 00:05:20.970 Kevin Golden: And that samak is a the magnetic marketing for the end of a paragraph or ready to go to another paragraph, and so you'll notice there's a shift going on, but when we get to verse 12. 32 00:05:21.900 --> 00:05:36.780 Kevin Golden: you'll notice that it really flows out of this very well and in a very clear grammatical way so we'll take note of that, when we get there, but let's dive right in to these specific verse let's read this first line of Chapter. 33 00:05:38.790 --> 00:05:45.630 Kevin Golden: sin Qu E, F Jerusalem, the GI Lu ma call Oh, have a. 34 00:05:47.490 --> 00:05:54.060 Kevin Golden: Translated would be rejoice with Jerusalem and be glad in her her all who love her. 35 00:05:54.480 --> 00:06:03.420 Kevin Golden: And notice we're beginning to pick up on again some of that parallelism but you'll notice with the color coding that I like to use to kind of highlight some of the. 36 00:06:03.720 --> 00:06:10.170 Kevin Golden: parallelism you'll notice there's not much similarity in color from the first colon to the second. 37 00:06:10.620 --> 00:06:17.910 Kevin Golden: And that should be to the new off guess what we're going to see the parallelism in the next line that this line is going to be parallel by the following line. 38 00:06:18.210 --> 00:06:24.990 Kevin Golden: But nevertheless, you do have some parallelism taking place and notice we're going to get a repetition of reference to Jerusalem. 39 00:06:25.470 --> 00:06:40.620 Kevin Golden: Jerusalem as a city is a that's a feminine noun and so therefore she keeps being referred to in feminine form, and so, therefore, we have our preposition with a pro nominal suffix that is feminine singular with the bar. 40 00:06:40.860 --> 00:06:50.820 Kevin Golden: And then you get to the end of this line, you also again have the pro nominal suffix feminine singular third feminine singular haha there and so. 41 00:06:51.540 --> 00:06:58.320 Kevin Golden: you'll notice all that going on and it's going to happen on the next line as well, the other thing that you can notice it's not between. 42 00:06:58.680 --> 00:07:06.780 Kevin Golden: The two Cola, but rather within the first call and there is a repetition that's already beginning there and it's going to be continued on the next line. 43 00:07:06.960 --> 00:07:19.860 Kevin Golden: Is we're going to stack up verbs that really are synonymous they're all about rejoicing and they're going to be the Indian parents Bible for So here we have sin cool from our Hebrew word so. 44 00:07:20.700 --> 00:07:25.380 Kevin Golden: This is an imperative, and it is a masculine plural imperative. 45 00:07:26.220 --> 00:07:38.580 Kevin Golden: So it's crying out rejoice, all you folks rejoice with Jerusalem now here, you might understand if you may recall at the direct object marker we don't expect to see that within poetry. 46 00:07:38.910 --> 00:07:45.270 Kevin Golden: But remember it's also identical and form to our preposition that means with. 47 00:07:45.600 --> 00:08:02.280 Kevin Golden: And here, you could understand it that way rejoice with Jerusalem and, in fact, that makes the most sense, and then we follow it up with yet another imperative that di ou and it's another masculine plural imperative from our verb keel and so therefore. 48 00:08:03.000 --> 00:08:07.890 Kevin Golden: It really has almost a synonymous, meaning to some on both of them are dealing with rejoicing. 49 00:08:08.160 --> 00:08:19.080 Kevin Golden: Here I translated it as be glad to kind of highlight that it is a different verb but here is Hebrew wanting to just deck things up now, who is it that is supposed to be. 50 00:08:19.890 --> 00:08:37.740 Kevin Golden: rejoicing and being glad in Jerusalem well you find it in that second colon call oh ha Ha ha all who are loving her, so there is from our verb a hub, which means love and. 51 00:08:38.550 --> 00:08:42.720 Kevin Golden: it's a participle it's although loving her once. 52 00:08:43.320 --> 00:08:57.000 Kevin Golden: In English would smooth that out, as all who love her So the idea, there would be a cool of Jerusalem now in a maybe his immediate context Isaiah initially has enlightened all those who. 53 00:08:57.510 --> 00:09:10.770 Kevin Golden: Love Jerusalem because they've been exiled from Jerusalem, but even more than that you and I can recognize that eschatological focus here as well, it's all those who love the eschatological Li n times Jerusalem that will come down out of heaven. 54 00:09:12.090 --> 00:09:13.020 Kevin Golden: let's go to the next one. 55 00:09:14.970 --> 00:09:16.710 Kevin Golden: See Sue it. 56 00:09:17.790 --> 00:09:22.950 Kevin Golden: muscles call hot myth up believe. 57 00:09:24.000 --> 00:09:35.850 Kevin Golden: They haha now notice again by our coloring we see the parallels and from one line to the next, but let's translate it first and then we'll get to that parallelism be joyful with her. 58 00:09:36.150 --> 00:09:45.360 Kevin Golden: with joy at all who are mourning over so we'll see that, in the previous line where we have these imperatives that are all about rejoicing like. 59 00:09:45.690 --> 00:09:56.520 Kevin Golden: A Sim coo and D Lou now we get see Sue, so it is yet another verb it's in the imperative it's masculine plural and it's. 60 00:09:56.880 --> 00:10:05.670 Kevin Golden: has much the same meaning so here, I went with be joyful and then we get the top with her and once again. 61 00:10:06.060 --> 00:10:13.650 Kevin Golden: notice, I see the parallelism here that is yet another reference back to Jerusalem, so that ongoing repetition, and then you get. 62 00:10:13.830 --> 00:10:23.040 Kevin Golden: My suits now, this is the noun that is derived from the verb that we just translated as be joyful so you are joyful with joy. 63 00:10:23.310 --> 00:10:36.090 Kevin Golden: This is good Hebrew they love to take these cognitive verbs and nouns and smash them together, you get it in genesis one that the grass grasses that's what it does and here you are joyful with joy. 64 00:10:36.480 --> 00:10:46.470 Kevin Golden: And notice now, not only did we have this parallelism between the first colon of the first line and the first colon of the second line, but now we get parallelism. 65 00:10:47.250 --> 00:11:05.700 Kevin Golden: Between the second colon of the first line, and the second colon the second line so now, instead of it all who love her it's Paul all so there's that repetition, who are mourning over her and notice again it's yet another participants as part of the. 66 00:11:06.780 --> 00:11:16.950 Kevin Golden: Part of the parallelism that you have a repetition of again in a participle now this participle is a bit different it's come comes from our verb of Vol. 67 00:11:17.580 --> 00:11:28.950 Kevin Golden: And there you see that verbal route, the you see the masculine plural ending but notice the myth on the front of it, so this should call you in that it's up hip pot hail. 68 00:11:29.280 --> 00:11:33.450 Kevin Golden: And remember his vitals are part of what we call the D system. 69 00:11:33.960 --> 00:11:45.870 Kevin Golden: The PL the pool and the hip pocket Oh, and the fifth pile or that entire D system when you go into a participle form you're used to seeing a May. 70 00:11:46.110 --> 00:11:58.470 Kevin Golden: put on the front and so in the hip pile that main replaces the hey of the fifth and you end up with myth, now the thing that is a little surprising here is notice what we've got on the front of it. 71 00:11:59.370 --> 00:12:10.230 Kevin Golden: The definite article, which is not typical within poetry, but all who are morning lay hands over her and once again we have a reference to her. 72 00:12:11.910 --> 00:12:19.530 Kevin Golden: Next line la ma on T net coo coo shabbat. 73 00:12:20.580 --> 00:12:21.390 Kevin Golden: missoni. 74 00:12:22.830 --> 00:12:25.050 Kevin Golden: pon who may ha. 75 00:12:26.820 --> 00:12:41.910 Kevin Golden: notice again we don't have much parallelism in fact there's really no specific parallelism from the first Poland to the second colon So what do you expect that again we're going to see that parallelism from one line to the next, the one thing that I did do. 76 00:12:42.630 --> 00:13:04.020 Kevin Golden: Is that I kept this similar color that we had before, because notice again we have this rough ongoing reference to her as in Jerusalem, but let's translate this line it translates as so that you may suck and be satiated from the breast of her constellation. 77 00:13:05.760 --> 00:13:19.140 Kevin Golden: lemme on and that starts off this line is a standard Hebrew word that gives us result or even maybe better we are to save purpose, why should this all happened well it's so that. 78 00:13:19.620 --> 00:13:31.440 Kevin Golden: And then we get a pair of verbs we start off with an imperfect there's my tower the imperfect knows i've got the shirt on the end, so this is a masculine. 79 00:13:31.770 --> 00:13:49.470 Kevin Golden: plural second person, so that you all may suck, and so it goes back to again the masculine plural, those who love her and those who are mourning over her, and now you may suck and be CC so we always start off with a perfect. 80 00:13:51.030 --> 00:13:56.250 Kevin Golden: Second plural masculine now we follow it up with a wow consecutive. 81 00:13:56.580 --> 00:14:11.190 Kevin Golden: Perfect so whereas this was imperfect, now we go to the wow consecutive perfect so that's that's how we do a coordinating verb that would be at the same thrust and time since so that you may suck and be satiated. 82 00:14:11.430 --> 00:14:14.940 Kevin Golden: You could even understand this follow up verb the perfect. 83 00:14:15.570 --> 00:14:28.320 Kevin Golden: notice again it is second plural masculine with that 10 ND you can understand that is even if you will, the result, so that you may suck in the US BC seated and. 84 00:14:28.740 --> 00:14:33.840 Kevin Golden: Your it's being done from miss sowed the men. 85 00:14:34.380 --> 00:14:43.950 Kevin Golden: Is our preposition miss sewed from the breast of her and those there's the ha there's the third singular feminine again pro nominal suffix. 86 00:14:44.220 --> 00:14:51.870 Kevin Golden: From the breast of her constellation now, this is a construct chain, we can understand this construct as an adjunct table. 87 00:14:52.230 --> 00:15:03.120 Kevin Golden: structure so that's why many translations will kind of put that together in the way that we would probably do it more normally in English is that it's from her consoling breast. 88 00:15:03.390 --> 00:15:07.050 Kevin Golden: That the her constellation is really adjectives to describe. 89 00:15:07.410 --> 00:15:20.910 Kevin Golden: Her breasts Jerusalem xpress now notice here here's the imagery that is most clearly kicking in at this point in time, this is going to be one of the lead images of all this, or Jerusalem is described in maternal terms. 90 00:15:21.270 --> 00:15:32.430 Kevin Golden: That and we've been using sometimes in our Community that Jerusalem being our mother it's our homeland or our motherland and here, this can be a little shocking. 91 00:15:32.880 --> 00:15:44.190 Kevin Golden: In a Western societies such as ours, because of the hyper sexualization often of things, but here, this is really being brought forth in a very maternal sense. 92 00:15:44.640 --> 00:16:01.950 Kevin Golden: That just as a child is consoled by mother so also here Jerusalem is going to be in constellation now again, you can understand this, that in its original context that constellation is going to be the restoration of Jerusalem, we get to go home to Jerusalem after. 93 00:16:02.340 --> 00:16:19.800 Kevin Golden: we've been in exile, but even more so, you and I can appreciate this is a great eschatological promise as well now let's go to the next slide and notice again now we see where that parallel is comes lemme on top Matsu the hip on. 94 00:16:21.600 --> 00:16:24.990 Kevin Golden: disease can vote ah. 95 00:16:26.460 --> 00:16:38.970 Kevin Golden: So you'll see the the parallelism from the previous line to this one, and it goes the entire structure is almost identical so we start off with lemme on so that. 96 00:16:39.390 --> 00:16:58.860 Kevin Golden: And then the imperfect verb top Matsu you may drain out that his non tam and delight so again notice you've got the imperfect second plural masculine followed by and perfect. 97 00:16:59.820 --> 00:17:11.100 Kevin Golden: wow consecutive second plural masculine so again coordinating sequence going on here and it's another hit pile you may notice here that hit on nod. 98 00:17:11.760 --> 00:17:23.700 Kevin Golden: that's why also see the dog ish in the middle route letter telltale sign of the D stem this with the D have a decent even stands for it's the doubling of the middle letter with a dog ish. 99 00:17:24.540 --> 00:17:39.840 Kevin Golden: So you may drain out and dos delight, you could even understand it that way, and now from one says it's going to come miss z's so again men is our preposition just like we had men. 100 00:17:40.650 --> 00:17:48.750 Kevin Golden: bound up in the Miss sewed above us, and now, instead of from the breast it's from the nipple now it's continuing again that motherly. 101 00:17:49.770 --> 00:18:00.990 Kevin Golden: metaphor that motherly imagery for Jerusalem she's mother to us and so now it's been kind of that intensification from breast to now nipple and it's of her glory. 102 00:18:01.800 --> 00:18:10.170 Kevin Golden: can vote and there's the pro nominal suffix so the ongoing focus third singular feminine Jerusalem as mother and feminine. 103 00:18:11.010 --> 00:18:28.590 Kevin Golden: Now, again, you can understand this construct chain as being ajit title so it's from the nipple of her glory or from her glorious nipple and again a challenge, maybe for Westerners because of the hyper sexualization but really. 104 00:18:29.280 --> 00:18:40.770 Kevin Golden: In a proper creation all senses is a beautiful language about a mother caring for her child and here's Jerusalem, providing for god's faithful people as well. 105 00:18:41.280 --> 00:18:46.320 Kevin Golden: let's keep going now notice again we did have that sonic there so there's going to be a shift budge. 106 00:18:46.890 --> 00:18:53.130 Kevin Golden: From one, if you will, paragraph to the next, but there is a continuous thought going on and we'll see how that goes. 107 00:18:53.760 --> 00:19:00.150 Kevin Golden: So, here comes the next verse verse 12 it's a bit longer so i've got one verse by itself within this slide. 108 00:19:00.420 --> 00:19:08.460 Kevin Golden: And you'll notice that the initial phrase kind of stands all by itself and that's where we're going to see a continuation so let's start translating. 109 00:19:09.000 --> 00:19:19.200 Kevin Golden: So we start off with key call a marquee away now that co Mr young way is very famous phrase that occurs. 110 00:19:19.830 --> 00:19:27.690 Kevin Golden: In significant spots within the Prophet Isaiah especially it's not restricted only to him he's not the only one who uses this. 111 00:19:27.930 --> 00:19:40.170 Kevin Golden: But it's the US says yas way, so, in other words, this is an Isaias word as if any of this has really been Isaac as, but rather it is he always work, so you better listen up. 112 00:19:40.440 --> 00:19:53.010 Kevin Golden: And furthermore notice this co Mr jaqui is preceded by key, it is a PE class and remember key can be used in a variety of different ways, but here, you might especially understand it in the console sense. 113 00:19:53.250 --> 00:20:10.410 Kevin Golden: For or because the says yahweh so all this stuff that we were just talking about in the previous two verses Why could you have reason to rejoice and to be glad and to be joyful with joy and. 114 00:20:10.800 --> 00:20:30.180 Kevin Golden: With all this promise of Jerusalem be like a mother again to us well why can you have that confidence well here's why the US says yahweh and when you always speaks you better listen because he does what he says so, what does he say. 115 00:20:31.350 --> 00:20:37.440 Kevin Golden: In any know Ted a lay hot cat not car Shalom. 116 00:20:38.010 --> 00:20:43.200 Kevin Golden: Now again notice between one colon and the next first colon and second colon. 117 00:20:43.440 --> 00:20:55.080 Kevin Golden: There is not specific parallelism so we're going to see it in, if you will, the next line that there will be parallelism between this line, and the next but It all starts off with if you had. 118 00:20:55.470 --> 00:21:10.290 Kevin Golden: Your we hadn't gotten your attention already by saying Cole Mr jaqui now he does it again by saying, and any behold, I or it can be understood as just look pay attention, right here at me and what i'm going to be doing. 119 00:21:10.830 --> 00:21:17.820 Kevin Golden: And furthermore, when he says, I that then ties in to the very next word no tech. 120 00:21:18.180 --> 00:21:31.290 Kevin Golden: Now, this is a verb and you may notice that the first route letter is pointed with a home, which should remind you that that is the normal sign that i'm dealing with a masculine singular participle. 121 00:21:31.680 --> 00:21:53.460 Kevin Golden: And that masculine singular participle that therefore agrees with its referent, namely the hand then me y'all way the I have an entity masculine singular so it's a tag teaming with that and so that's why I translated it as behold, I am spreading out. 122 00:21:55.110 --> 00:22:01.110 Kevin Golden: A lei ha to her now notice again we have that ongoing focus upon. 123 00:22:02.460 --> 00:22:11.790 Kevin Golden: Her as in mother Jerusalem so behold, I am spreading out to her, and what are we spreading it or what is he always burning out. 124 00:22:12.780 --> 00:22:20.070 Kevin Golden: piece like a river, or if you wanted to keep the word or you'd have to say, like a river piece. 125 00:22:20.580 --> 00:22:31.080 Kevin Golden: So peace comes like a river, now that might spur some discussion or thoughts about well, what does that mean for peace to come, like a river. 126 00:22:31.470 --> 00:22:37.740 Kevin Golden: And that will be clarified really in the coming line, but you might know, especially think of it this way, is that. 127 00:22:38.580 --> 00:22:42.210 Kevin Golden: Here in the Midwest sitting in St Louis we're used to the. 128 00:22:42.870 --> 00:22:52.830 Kevin Golden: Mississippi river and the Missouri river is flowing with water that they never dry up, but in the summertime late in the summertime we may become worried when we see the water level dropping. 129 00:22:53.100 --> 00:22:56.760 Kevin Golden: That that will give us worries about the supply of water for. 130 00:22:57.420 --> 00:23:11.430 Kevin Golden: nourishment of plants for our own reception of water and such and so when a river is full of water, there is great joy and peace wholeness and health Shalom kind of in that holistic sense. 131 00:23:12.150 --> 00:23:23.550 Kevin Golden: And that's probably the thrust that's being given here, especially in the land of of Isaiah in Jerusalem in the surrounding areas that peace like a river that. 132 00:23:24.570 --> 00:23:36.150 Kevin Golden: That they often like the Jordan River would dry up during certain seasons and then you would get the spring influx of water that would come both from the spring rains but also from. 133 00:23:36.870 --> 00:23:52.500 Kevin Golden: The melt at the top of the mountains, with the snowy peaks and such and so with that comes in joy and peace, because now we know that we have the sustenance that we need, will be able to grow our crops, but keep a hold of that because notice what happens in the next line. 134 00:23:54.060 --> 00:24:02.580 Kevin Golden: Who can call show Taif cohort go in the knocked him. 135 00:24:03.510 --> 00:24:17.460 Kevin Golden: And like an overflowing stream the glory of the nation's you will suck now there's not as quite tight parallelism for one line to the next, but notice what's going on is that. 136 00:24:17.820 --> 00:24:23.370 Kevin Golden: Whereas we had like a river in the previous line, now we get like an overflowing stream. 137 00:24:23.640 --> 00:24:31.530 Kevin Golden: You might notice there, of course, river stream there's not a great deal of difference, they are synonymous, in many ways, maybe just differences in size. 138 00:24:31.740 --> 00:24:39.030 Kevin Golden: But now we've had an intensification of it by having another participle put in here, and this participle showed take. 139 00:24:40.020 --> 00:24:46.380 Kevin Golden: notice the whole them here it's actually in what we call the plan, a form with a monitor letter included. 140 00:24:47.220 --> 00:24:58.140 Kevin Golden: And so it's not just any old stream but it's an overflowing stream now that's a great picture of with an overflowing that there's going to be all the more fertility. 141 00:24:58.710 --> 00:25:10.950 Kevin Golden: Many in many parts of the world, you anticipate and you look forward to the overflowing rivers, because that's what carries silt out into a floodplain and makes it all the more. 142 00:25:11.340 --> 00:25:17.880 Kevin Golden: luxurious and, therefore, productive and fertile to bring forth great crops and so here is. 143 00:25:18.390 --> 00:25:28.020 Kevin Golden: like this is great promise now, you may notice also there's a little bit of parallelism going on from this verb spreading out notice that's going to go out. 144 00:25:28.290 --> 00:25:35.190 Kevin Golden: And then it's like a river that flows out and here now, we get the overflowing strip there's a bit of a parallel ISM if. 145 00:25:35.700 --> 00:25:39.570 Kevin Golden: If no other way it's, at least in the thought that's being expressed here. 146 00:25:39.870 --> 00:25:49.110 Kevin Golden: And now, what was piece before is going to be covered go eat the glory of the nation's and again, this is a rather shocking thing to hear about. 147 00:25:49.410 --> 00:25:54.570 Kevin Golden: The glory of the nation's because gleam also can just mean the gentiles so. 148 00:25:54.810 --> 00:26:05.250 Kevin Golden: it's not just only Jerusalem, but it's the glory of the nation's and what are you going to do you're going to suck from it, and this is the same verb that we had in the previous verse about. 149 00:26:05.940 --> 00:26:09.390 Kevin Golden: sucking and being satiated from jerusalem's. 150 00:26:09.900 --> 00:26:16.560 Kevin Golden: consoling breasts and so there's a continuation of what was in the previous section, remember that previous verse. 151 00:26:16.770 --> 00:26:26.760 Kevin Golden: brought to the end, one paragraph, but notice obviously there's a tight tight here, not only because of continuation of that same language, but also with the key continuing it. 152 00:26:27.360 --> 00:26:30.480 Kevin Golden: Now the other thing that I would point out, is notice. 153 00:26:31.200 --> 00:26:34.500 Kevin Golden: This reference to you and that's going to be picked up. 154 00:26:34.740 --> 00:26:44.520 Kevin Golden: So, in the very excellent, this is really a carryover from again the previous verse because remember there, there was all these second person imperatives. 155 00:26:44.700 --> 00:26:53.280 Kevin Golden: You know rejoice that's you you rejoice you be glad you be joyful with joy and all these things that you're going to receive. 156 00:26:53.850 --> 00:27:08.880 Kevin Golden: from Jerusalem and now we have a return to that kind of language and even especially you will suck, just like the previous verse, and now it gets continued in the last light of this first all side 10 now say. 157 00:27:09.900 --> 00:27:12.690 Kevin Golden: That all beer ke. 158 00:27:13.980 --> 00:27:16.980 Kevin Golden: 10 shabu shabu. 159 00:27:18.810 --> 00:27:41.100 Kevin Golden: notice now the parallel ISM is from one colon to the second colon in that same line, you can see it rather easily with a repetition of the preposition all from both sides, so you translate the whole line this way upon a hip you will be carried and upon knees, you will be funded now. 160 00:27:42.330 --> 00:27:54.840 Kevin Golden: Again this is picking up that imagery of Jerusalem, being a mother and so thinking about how a mother carries her child on or if or how she has a child, on her knees and plays with that child so upon a hip. 161 00:27:55.200 --> 00:28:06.660 Kevin Golden: And this is the verb here, you will be carried should look pretty familiar, it is a very common verb that you will have learned and it's Nessa noon sin olive. 162 00:28:07.080 --> 00:28:19.950 Kevin Golden: i've got my towel pre formative shirts up it's because it's another second person plural masking all you who would be morning over Jerusalem, who love her well now. 163 00:28:21.000 --> 00:28:30.510 Kevin Golden: you're going to be carried this and Assad notice also the song means to lift up but notice the dog ish within the nun and that's because this is a. 164 00:28:30.900 --> 00:28:42.390 Kevin Golden: nipple so the none of the has assimilated into the nun and therefore you have a dog ish so the none of the nipple has assimilated. 165 00:28:42.840 --> 00:28:52.800 Kevin Golden: And therefore, the nipple, you will recall, regularly takes on the force of the passive voice, although it's technically the reflective. 166 00:28:53.100 --> 00:28:55.200 Kevin Golden: Of the time of the writing of the Old Testament. 167 00:28:55.470 --> 00:29:08.070 Kevin Golden: The call passive has largely fallen out of US doesn't appear very often, so the default often takes over the passive voice and that's what's going on here, so instead of you lifting up it's you will be lifted up so. 168 00:29:08.460 --> 00:29:14.520 Kevin Golden: upon a hip you're going to be lifted up or if you're being lifted up on that if you're being carried like a mother carries your child. 169 00:29:15.180 --> 00:29:32.490 Kevin Golden: And upon nice beer, I am notice, this is the dual form because well, a lot of nouns that come in the dual form that you naturally have to have regularly have the dual form for the Hebrew of eyes and ears and. 170 00:29:33.840 --> 00:29:46.230 Kevin Golden: So it makes sense also needs, we have to have it so here's the dual form so upon knees and again we get the TAO pre formative shirts of X, because it is a an imperfect second plural masculine. 171 00:29:46.950 --> 00:29:56.160 Kevin Golden: This verbal form, though, is actually rather unique not very common at all my verbal route is Shin Ion. 172 00:29:56.760 --> 00:30:08.040 Kevin Golden: Ion so what's his other Shen doing in here well it's because it's a Gemini verb with that I, and I, and at the end, and even then it's not only a Gemini, but it is. 173 00:30:08.610 --> 00:30:19.620 Kevin Golden: Those two last identical route letters, both are obviously girls and so that creates challenges as well, so this is what we call the Paul Paul, which is a. 174 00:30:19.920 --> 00:30:29.190 Kevin Golden: kind of the geminids alternate of the Gemini way of handling the PL system, and this is specifically in the passive voice so it's. 175 00:30:30.180 --> 00:30:39.630 Kevin Golden: kind of the Gemini form of a pool, so this is therefore it's in the passive and that's why it's you will be funneled rather than you will find. 176 00:30:40.200 --> 00:30:49.800 Kevin Golden: Now, again, this is a maybe a challenging verb on how best to translate it because fondle has a very negative connotation of an English. 177 00:30:50.190 --> 00:31:00.630 Kevin Golden: The verb itself when it's in the active voice means to play the sport in fact it's this exact same verb that occurs, all the way back in Isaiah chapter 11. 178 00:31:01.800 --> 00:31:04.230 Kevin Golden: where you have this eschatological. 179 00:31:04.440 --> 00:31:13.380 Kevin Golden: picture of the peaceable Kingdom that is taking place, and one of the things that's mentioned is the the young child will play at the cobras den. 180 00:31:13.530 --> 00:31:22.530 Kevin Golden: Right and it's this exact same verb is that will sport or play so the idea here is you're going to be sported you're going to be played with. 181 00:31:22.890 --> 00:31:28.710 Kevin Golden: On the knees as a mother plays with her child and notice this is such a joyful image, think about. 182 00:31:29.130 --> 00:31:39.420 Kevin Golden: The joy that a small child has sitting on mothers need where they are safe and happy and then mama's playing with them that's the picture the imagery. 183 00:31:39.690 --> 00:31:52.470 Kevin Golden: The poetic imagery that's being given of what is going to be done because of what your way is doing that he is causing the glory of the nation's to be given day as people and Jerusalem is being restored. 184 00:31:53.040 --> 00:32:07.230 Kevin Golden: Right we've got a couple more verses to get through let's keep going so here's verses 13 and 14 you'll notice that verse 13 comes forth as not a bicycle but a trifle so three. 185 00:32:07.890 --> 00:32:20.790 Kevin Golden: Independent cola that then have a relation to one another and then in verse 14 we go back to kind of a standard by cola and two lines of it let's get to translate it. 186 00:32:22.500 --> 00:32:33.420 Kevin Golden: verse 30 cat each other share ammo to not menu kane on okie on Naka pelican. 187 00:32:34.680 --> 00:32:36.900 Kevin Golden: ooh be Russia live. 188 00:32:38.070 --> 00:32:47.010 Kevin Golden: 10 new camo you'll notice that there is a clear repetition going on there with the ongoing use of the verb now. 189 00:32:48.030 --> 00:32:58.530 Kevin Golden: let's translate that we'll talk more about it, so we translate this as as a man whom his mother comforts because I myself will come for you. 190 00:32:58.800 --> 00:33:07.170 Kevin Golden: And in Jerusalem, you will be comforted now notice, we have finally now returned to Jerusalem that was first brought up at the beginning of our. 191 00:33:07.620 --> 00:33:19.260 Kevin Golden: Reading so that now Jerusalem is specifically mentioned, rather than being referred to by the means of pro nominal suffixes now named once again because of what you always do. 192 00:33:19.800 --> 00:33:37.500 Kevin Golden: We start off with saying as a man, then we get the relative pronoun our share now again that's surprising, this is Hebrew poetry typically doesn't occur here, but I chose to use it so as a man and then who the relative pronoun. 193 00:33:38.220 --> 00:33:45.420 Kevin Golden: Does not decline, so you have to get it sense by means of the context and here. 194 00:33:46.890 --> 00:33:55.920 Kevin Golden: you'll get it rather clearly so we get mo there's the word for mother, with a pro nominal suffix who his mother and then. 195 00:33:56.580 --> 00:34:08.310 Kevin Golden: 10 not cut men new, so we have the TAO proof formative on calm now, you may recall that verb na hum can mean. 196 00:34:08.760 --> 00:34:22.200 Kevin Golden: repent or it can mean comfort so which one is it here it all depends on what conjugation it's founded and here you know that this is the PL conjugation. 197 00:34:22.680 --> 00:34:30.720 Kevin Golden: You can't tell by means of a dog fish, because after all it is a second guttural and so you can't get a dog fish within that fade. 198 00:34:31.140 --> 00:34:41.250 Kevin Golden: But you can tell, because look there's a sra under the pre formatted, which is the telltale sign of an imperfect within the DC so. 199 00:34:42.000 --> 00:34:53.730 Kevin Golden: Here we have the PL of nikon so that she is it's the feminine and she comforts and now we get a pro nominal suffix she comforts. 200 00:34:54.600 --> 00:35:05.520 Kevin Golden: So therefore that's why his mother comforts him we would understand, therefore, this is a result of pronoun that tells me that my share is acting as. 201 00:35:05.790 --> 00:35:17.130 Kevin Golden: The direct object, like a man whom his mother comforts one of the few things in English, that we still actually decline is this relative pronoun so instead of who we would say cool. 202 00:35:17.400 --> 00:35:32.400 Kevin Golden: So as a mother as a man whom his mother comforts pain, the US I myself will come, for you know, again we have that same verb again no harm and there is my olive. 203 00:35:32.760 --> 00:35:42.120 Kevin Golden: Because it's an imperfect first singular common and now I have the pro nominal suffix cam you the direct object. 204 00:35:42.480 --> 00:35:51.390 Kevin Golden: And notice I don't need the UNO key but nevertheless it's here, so I would argue for this being an emphatic use this is yahweh speaking saying. 205 00:35:51.720 --> 00:36:00.780 Kevin Golden: I, yes, I will come for you you're not going to get comfort just from mother Jerusalem where's your real comfort coming from. 206 00:36:01.320 --> 00:36:11.220 Kevin Golden: Your way because he's the one who gives you Jerusalem, who supplies through Jerusalem all of your needs and then that's picked up again in the very last call in here. 207 00:36:12.150 --> 00:36:24.540 Kevin Golden: And in Jerusalem, you will be comforted and again there is my second person plural imperfect of net COM, you will be comforted. 208 00:36:25.290 --> 00:36:42.990 Kevin Golden: So what makes Jerusalem, in other words to be so great and so comforting is that it is the place, it is the means by which era takes care of his people and because all of that's true what should you expect well that comes in the very next first. 209 00:36:44.400 --> 00:36:48.270 Kevin Golden: ooh REP eaten the sauce. 210 00:36:49.440 --> 00:36:59.700 Kevin Golden: Live comm their audits mo fake em Casa de SEL set misha tiff rock nah. 211 00:37:01.260 --> 00:37:09.690 Kevin Golden: And you will see, and your heart will be joyful and your bones like young grass will sprout. 212 00:37:10.230 --> 00:37:14.730 Kevin Golden: Now, you may notice there's not a great deal of parallelism we're going to get some parallels. 213 00:37:15.030 --> 00:37:20.730 Kevin Golden: With the next line, but the thing that I would point out, is there is some parallel ISM from the previous line to this one. 214 00:37:21.060 --> 00:37:33.120 Kevin Golden: That we have yet another metaphor or another Similarly, if you will, going on that's introduced with the word like, just as we had it up here can we get hot again. 215 00:37:33.780 --> 00:37:47.280 Kevin Golden: The other thing to take note of is the ongoing third or i'm sorry second plural forms so up here, we had cam for you all also you all with. 216 00:37:47.820 --> 00:37:59.310 Kevin Golden: Ted new moon then also down here we get cam and cam again so that ongoing second person masculine. 217 00:38:00.000 --> 00:38:04.080 Kevin Golden: Now, as I was leading you through that and also reminded one of the thing to take note of. 218 00:38:04.380 --> 00:38:08.520 Kevin Golden: We mentioned before, not have we were in the PL system, the D system. 219 00:38:08.760 --> 00:38:22.170 Kevin Golden: notice you've got the books up here under the none of 10 new kamui and that's because this is the pool so whereas comfort in the PL would be active voice know who all is the. 220 00:38:22.440 --> 00:38:32.220 Kevin Golden: Passive voice so it's not that you will comfort that you will be comforted in Jerusalem and here you might even understand again you're going to be comforted by whom. 221 00:38:32.940 --> 00:38:42.480 Kevin Golden: yahweh after that's what the previous line the previous colon had specifically said I myself yeah always speaking will come for you, but also. 222 00:38:43.170 --> 00:38:57.780 Kevin Golden: When you have a passive verb like Ted new moon, and there is no agents specifically mentioned this, you can argue that it is the so called divine past where it's yahweh it's God who brings us about. 223 00:38:58.200 --> 00:39:07.560 Kevin Golden: But getting back to our current line, and you will see notice we've got a wow and it's on a perfect so we're going to go with this being a. 224 00:39:08.490 --> 00:39:13.080 Kevin Golden: Perfect wow can second so it's future time now, you may remember the. 225 00:39:13.500 --> 00:39:23.850 Kevin Golden: wow consecutive perfect is identical unformed to the wow conjunct it perfect so you have to make a choice based on context, and here the context is pretty easy to go with because. 226 00:39:24.210 --> 00:39:34.770 Kevin Golden: we're dealing with prophetic materials we've been going with a lot of future statements so that's what we're going to keep with here and notice it's from our common verb raw ratio. 227 00:39:35.490 --> 00:39:43.950 Kevin Golden: All of hey and like a standard third a verb before a continental summit so a suffix that begins with a consonant. 228 00:39:44.400 --> 00:39:54.060 Kevin Golden: The hey drops out and it's replaced with I hearing you the Info here again, so this is the third day and you all masculine. 229 00:39:54.540 --> 00:40:08.280 Kevin Golden: And here's another one of those masculine plural second person that could be highlighted, with the same color coding with that ongoing focus and you will see, and your heart. 230 00:40:09.390 --> 00:40:19.230 Kevin Golden: will be will be joyful and now here's that same verb that we had earlier back in our first verse it is return so again, although we have that shift. 231 00:40:20.370 --> 00:40:30.870 Kevin Golden: At the end of a paragraph going to another paragraph, you can see the continuity of thought and even language that is being used here and your heart will be joyful. 232 00:40:31.380 --> 00:40:53.280 Kevin Golden: and your bones this are now here as itself, it is a segment noun at them and, therefore, you can see, also it's feminine because it's gone into the plural form with both the feminine plural and so your bones like. 233 00:40:53.730 --> 00:41:08.820 Kevin Golden: dead set young grass so not old grass, it is will teen and falling over but it's young grass and, what is your dog rescue well it sprouts tiff rock na and here you may notice this is from our verb. 234 00:41:10.050 --> 00:41:20.610 Kevin Golden: Raw i've got a towel pre formative I have not as a suffix and you'll recall that in the imperfect, that is, the identical forum for a third. 235 00:41:21.210 --> 00:41:42.420 Kevin Golden: plural feminine and a second plural feminine all right, and here we would say that it is the third plural feminine because what is my third literal feminine noun that it's going with well your boats feminine plural boats let's go to the last line of our goal. 236 00:41:43.650 --> 00:41:53.610 Kevin Golden: Then there no de yada yada way F of a doubt that i'm at all da bao. 237 00:41:54.690 --> 00:41:59.820 Kevin Golden: Now you'll notice there's some similarity from one line to the next, that. 238 00:42:01.050 --> 00:42:17.640 Kevin Golden: that you have a change from about TAO to Australia wow no no notice both of those have the third singular masculine pro nominal suffix that goes upon a plural noun the out on the end of. 239 00:42:18.090 --> 00:42:25.500 Kevin Golden: Each one, but it goes from adele his sermons to all you have out his enemies. 240 00:42:25.770 --> 00:42:37.680 Kevin Golden: Now that signals that actually in the coming versus right after this that's not part of our texts today there's a little bit of a shift in focus where you're always going to take up some statements regarding all your vow is. 241 00:42:37.980 --> 00:42:51.150 Kevin Golden: enemies, but that's for another time instead what we hear here is notice the parallelism from one line to or one colon to the next, so that we start off with that no debt ah. 242 00:42:52.440 --> 00:42:59.700 Kevin Golden: This is from our common verb yada you would dial it in, and it is. 243 00:43:03.570 --> 00:43:13.860 Kevin Golden: It is that verb to know but notice what happens along the way the yard, has become a wow because many first yields for originally first flowers when you start. 244 00:43:14.280 --> 00:43:25.260 Kevin Golden: Going into other conjugations that returns, furthermore, we have a nun on the front of it, because this happens to be the nipple so it's passive it's not about knowing but being. 245 00:43:26.130 --> 00:43:35.070 Kevin Golden: And furthermore it's got the feminine third singular feminine suffix on it ah, so this is a nipple perfect. 246 00:43:35.670 --> 00:43:49.020 Kevin Golden: Perfect while can second and so again it's going to kick it into the future times and, furthermore, it is a third singular feminine because yeah that comes right after it happens to be feminine so. 247 00:43:49.680 --> 00:43:56.340 Kevin Golden: It will be no, no, what is that well it's the opposite it's always hand will be known. 248 00:43:56.730 --> 00:44:04.680 Kevin Golden: F of adele to his servants now what does that mean for you always hand to be known to a service well his hand is often about. 249 00:44:05.070 --> 00:44:08.790 Kevin Golden: His activity is means by which he accomplishes things. 250 00:44:09.000 --> 00:44:24.240 Kevin Golden: And so here, you could understand it as well, what he is doing is going to be known to his servants that his servants will understand, they will see and because they see, they will trust and rejoice in what he is doing so it really flows well with everything that has gone. 251 00:44:24.780 --> 00:44:35.010 Kevin Golden: Before this, but now you have this big change that happens so while his hand will be known to his servants, because he's going to make it known to them. 252 00:44:35.520 --> 00:44:52.440 Kevin Golden: What else is he going to do that so there's a verbs on this is a perfect wow consecutive again so future time third singular masculine and he will be indignant with his enemies. 253 00:44:54.090 --> 00:45:08.700 Kevin Golden: A big shift that happens here at the end it'd be interesting for you to take some time when you're finished working through this text if you're interested in more go into verse 15 and see how that plays out, but the shift that begins to take place. 254 00:45:12.120 --> 00:45:15.810 Kevin Golden: So there you have our texts from Isaiah chapter 66. 255 00:45:16.020 --> 00:45:27.690 Kevin Golden: I pray that this has been beneficial for you, having been able to solidify your handle a bit more on how Hebrew operates also grow in your appreciation for the insights that it gives to us. 256 00:45:27.870 --> 00:45:31.680 Kevin Golden: And maybe just maybe if you're going to be blessed to have a chance to preach on this. 257 00:45:32.190 --> 00:45:45.930 Kevin Golden: But you'll be able to have some insights on proclamation with a great joy that yahweh delivers to his people with these good promises I pray the lord's blessings upon you, in the days ahead until the next time the Lord be with you.