WEBVTT 1 00:00:03.959 --> 00:00:19.020 Kevin Golden: Hello i'm Dr Kevin bolden associate professor of exegetical theology at Concordia seminary in St Louis blessed to be with you as we spend time together today working through god's word in Hebrew let's ask the lord's blessing upon our time together but let's pray. 2 00:00:20.730 --> 00:00:40.110 Kevin Golden: Lord We thank you that you have taught us what you would have us believe, and do help us by your Holy Spirit for the sake of Jesus Christ to keep your word in pure hearts that thereby we may be strengthened in faith perfected in holiness and comfort in in life and. 3 00:00:41.340 --> 00:00:41.910 Kevin Golden: amen. 4 00:00:47.730 --> 00:00:59.790 Kevin Golden: Today we're going to be looking specifically at Isaiah chapter 65 verses one through nine just a reminder about why we're spending this time together, first of all, we want to grow in our skill and appreciation for the Hebrew scriptures. 5 00:01:00.090 --> 00:01:09.540 Kevin Golden: Growing our skill and being able to translate it understand it in its original Hebrew and also appreciate that that study of the Hebrew scriptures. 6 00:01:10.050 --> 00:01:20.490 Kevin Golden: scripture in its original language actually grants us insight better understanding of what the word is delivering to us right there also in the process, you might grab some Hama lyrical insight. 7 00:01:21.090 --> 00:01:28.080 Kevin Golden: This is the Old Testament reading appointed for proper seven in the year see of the three year lectionary series. 8 00:01:28.380 --> 00:01:35.550 Kevin Golden: that's going to pop up on June the 19th of this of 2022 so perhaps it's going to be helpful for you and sermon preparation. 9 00:01:36.000 --> 00:01:46.140 Kevin Golden: Beyond that, what else are we doing well we're gonna take a little bit look at Hebrew poetry, after all, this is Isaiah and a good portion of Isaiah is a poetry because it's a prophecy. 10 00:01:46.470 --> 00:01:50.880 Kevin Golden: Remember, some of the things that we shouldn't be looking for within poetry or its terseness. 11 00:01:51.300 --> 00:01:58.740 Kevin Golden: That it's known for really being compact leaving out some words that you really have to supply to make sense, but in many ways this text. 12 00:01:58.950 --> 00:02:13.560 Kevin Golden: is a bit of a typical in that regard, because there are three what we call pros articles, these are three items that are found regularly in prose butter air incredibly sparing absent within poetry, that would be the. 13 00:02:14.670 --> 00:02:23.340 Kevin Golden: Direct object marker also the relative pronoun share, and then the third one would be the definite article. 14 00:02:23.970 --> 00:02:32.100 Kevin Golden: And guess what in this text, all three actually up here and in rather significant quantities, so this is somewhat unique for Hebrew poetry. 15 00:02:32.520 --> 00:02:42.330 Kevin Golden: But also we should be looking for imagery that will be used quite a bit here a lot of non literal language that gives you a wonderful image picture of what the Lord is telling us. 16 00:02:42.630 --> 00:02:52.290 Kevin Golden: there's parallelism from one half of a line from one colon to the next, within that same line or between lines of poetry as well. 17 00:02:52.530 --> 00:03:02.790 Kevin Golden: And the reason that Hebrew poetry uses these devices and so many others, is to grant a potency to the proclamation so that just as we become a customer to try to craft. 18 00:03:03.150 --> 00:03:10.050 Kevin Golden: nicely crafted sermons for the sake of the delivery of the message the same thing is happening here as well. 19 00:03:10.710 --> 00:03:19.830 Kevin Golden: let's also keep in mind that, like the rest of scripture when it comes to poetry and prophecy is good to keep the text in its literary context. 20 00:03:20.130 --> 00:03:31.620 Kevin Golden: And here Isaiah 65 verses one to nine is the beginning of what happens in Chapter 65 and 66 in which your way responds to Isaias lament. 21 00:03:31.860 --> 00:03:39.450 Kevin Golden: That is founded chapter 63 verses seven through chapter 64 verse 11 so there Isaiah is lamenting you. 22 00:03:39.840 --> 00:03:46.920 Kevin Golden: can hardly blame them as a prophet for everything that he has seen everything that he has experienced what he knows, is going to come upon. 23 00:03:47.370 --> 00:03:56.700 Kevin Golden: Israel help judah specifically and how judah has not been listening to him, of course, he's going to lament and then in these chapters yeah we response to it. 24 00:03:56.940 --> 00:04:03.570 Kevin Golden: And so, if you took a we had a bit more time we can compare how even in these nine verses that will be looking at. 25 00:04:04.470 --> 00:04:17.730 Kevin Golden: A lot of the language that is used there is pull right from the previous chapters, so that when Isaiah said now y'all way response to give him the actual truth for granted, of peace in the midst of all this. 26 00:04:18.570 --> 00:04:24.450 Kevin Golden: Well let's get into the text itself and we're going to be a notice i've got this setup where we have. 27 00:04:24.870 --> 00:04:36.060 Kevin Golden: Two verses here on this first slide and furthermore i've got it set up so that you can see how we have each line broken into two parts, each of what we might call colons. 28 00:04:36.660 --> 00:04:44.910 Kevin Golden: One colon on on the right hand side, then we go to the left hand colon This makes up a bicycle and we're going to see some dynamic. 29 00:04:45.150 --> 00:04:53.820 Kevin Golden: interchange between those various parts and let's jump right into that and you'll notice as i've done in the past i'm going to color code this to help us out a little bit. 30 00:04:54.270 --> 00:05:05.100 Kevin Golden: To our first line let's read together Nick rush to leno show alou nim safety fee ludlow big shooting. 31 00:05:06.060 --> 00:05:16.500 Kevin Golden: I was sought by those who did not ask I was found by those who did not seek me and you'll notice in read I have our two verbs that. 32 00:05:16.980 --> 00:05:22.950 Kevin Golden: Are parallel to one another they're parallel actually in a variety of ways, one each one starts off. 33 00:05:23.790 --> 00:05:39.960 Kevin Golden: The respective colon you'll notice, we have a very clear progression, you can see that, by virtue of the color coding, so that you start off with the verb but not only do you start off with the verb notice what is true with both of them both of them you'll see the tea or the. 34 00:05:40.980 --> 00:05:44.940 Kevin Golden: suffix because they are both perfect. 35 00:05:46.170 --> 00:05:48.420 Kevin Golden: First singular common. 36 00:05:49.110 --> 00:06:04.320 Kevin Golden: But then, with both of them there's a further point that draws them together dariush is our first version but notice i've got a nun in front similarly our second verb must side has a nun in the front as well, because both happen to be. 37 00:06:04.560 --> 00:06:16.500 Kevin Golden: nipples now, properly speaking you'll recall that initial is the reflective voice, but it is largely taken over the passive voice at the time of the writing of the Holy scriptures. 38 00:06:16.890 --> 00:06:33.720 Kevin Golden: Because of kind of the falling out of the call passive, which was the the true passive voice so here both are going in that passive sense so dariush means to see, but since it's passive Nick rush the team, I was sought. 39 00:06:34.740 --> 00:06:42.240 Kevin Golden: Furthermore, you get the same thing with nima nima safety, I was found rather than I found. 40 00:06:43.230 --> 00:06:54.210 Kevin Golden: Now here's The other thing is put into the into its greater context, we could further tweak that translation, so that it might be something along the lines of I was willing to be sought. 41 00:06:54.540 --> 00:07:04.740 Kevin Golden: by those who did not ask or I was willing to be found by those who did not seek me that there can be this kind of bolotin sense along the way. 42 00:07:05.400 --> 00:07:19.500 Kevin Golden: The lead low that you see in both colin's mellow is the llama and then the Navigator and the llama and they were i'm taking this kind of an instrumental us at the moment, so it's by and then not. 43 00:07:19.830 --> 00:07:40.050 Kevin Golden: And then both of those are followed by the shop Lou which is yet another perfect verb this time it's a third plural calm and shut all meeting to see so those who did not see and then at the second half, we get big shiny, and this is another. 44 00:07:41.610 --> 00:07:54.360 Kevin Golden: Perfect third plural common you'll notice that the shirt has become a cupboards underneath the Shin and that's because we put on the pro nominal suffix me they those who did not seek. 45 00:07:54.960 --> 00:08:08.310 Kevin Golden: So already here, we hear your way speaking about how he was willing to be saw he desired, maybe even to be sought by those who didn't ask for him and he was willing to be found desired to be found by those who didn't even see me. 46 00:08:08.820 --> 00:08:20.640 Kevin Golden: And furthermore, we get a little bit more in the next line where you hear his impassioned cry Mr T can ne ne l going low Cobra visually. 47 00:08:21.480 --> 00:08:41.850 Kevin Golden: I said here, I am here I am to a goy to a nation, who did not call on my name you'll notice again we're starting to build up this resounding repetitive T that at the end of each of these verses they are all perfect. 48 00:08:42.930 --> 00:08:54.360 Kevin Golden: First singular common so again it's always yahweh who's crying out and you get it even more we get more first person singular with the hidden me and then me here. 49 00:08:54.750 --> 00:09:04.920 Kevin Golden: I am here I am or, more accurately, or maybe wouldn't really be hold it hold it hold me hold me or you can also take in a. 50 00:09:05.220 --> 00:09:22.680 Kevin Golden: This way it's like look here I am right it's the grant get attention so here, you get that impassioned statement from yahweh he was willing to cry out hey here I am and who does he do it to this is rather shocking l goin to a nation going. 51 00:09:23.370 --> 00:09:33.090 Kevin Golden: To even the Gentile who did not call low Cora dish me now I again color coding and kind of made a fish me. 52 00:09:33.480 --> 00:09:42.240 Kevin Golden: along the lines of in any, not only because both have the first singular common pro nominal suffix effects but there's also, if you look at just. 53 00:09:42.720 --> 00:09:51.600 Kevin Golden: The way that the argumentation runs that they run in parallel so here, I am here I am and yet you don't even call on my. 54 00:09:52.230 --> 00:10:08.550 Kevin Golden: there's also a contrast between yahweh who says i'm Marty I said, and then the boy who local rock they don't call, so the contrast yeah always the one who actually will speak to them, and if they don't even call back upon. 55 00:10:09.720 --> 00:10:10.440 Kevin Golden: First, you. 56 00:10:11.760 --> 00:10:18.960 Kevin Golden: Pay rush T, yet I call call how you l m so rare. 57 00:10:20.370 --> 00:10:25.380 Kevin Golden: I spread out my hands all the day to a stubborn people. 58 00:10:25.980 --> 00:10:36.540 Kevin Golden: Now, the only kind of parallelism that i'm really highlighting their by means of our color coding is kind of the contrasting of ideas here, where we get yet another perfect. 59 00:10:36.870 --> 00:10:46.800 Kevin Golden: First singular common verb pay Rosh team, though, is there again that T I spread out my hands now, this is an i'd rather I rent run. 60 00:10:47.310 --> 00:10:57.690 Kevin Golden: ironic thing shocking thing to hear ya I always say because he spread out his hands and really the spreading out of the hands is often a lesser type of. 61 00:10:58.560 --> 00:11:08.910 Kevin Golden: prayer holly out to your way, and yet this is how much he was calling out to his people that he's the one spreading out the hands call I own all the day. 62 00:11:09.420 --> 00:11:21.690 Kevin Golden: And yet, who are they they are a an arm software a stubborn people notice we've had a progression from the previous slide at this one we've gone from going. 63 00:11:22.260 --> 00:11:37.080 Kevin Golden: To i'm from a Gentile nation, if you will, to people on as much more commonly used to refer to god's people Israel and so that's part of the progression that's going on, but also notice, even though he's not calling them. 64 00:11:37.410 --> 00:11:45.450 Kevin Golden: Instead of boy, they are so rare that is a participle from search or that is modifying um. 65 00:11:45.780 --> 00:11:55.290 Kevin Golden: They are a stubborn people now when it comes to participants you'll remember the key thing to get a participle right is to ask what position is it in. 66 00:11:55.770 --> 00:12:09.210 Kevin Golden: So is it predicate position or attributed position, we could also go with a substantive use of the artists have oh this can't be the substance abuse, because there is not a definite article on it, but. 67 00:12:10.020 --> 00:12:17.190 Kevin Golden: We have an option here is it attributed or credit composition now notice the participle is following the noun that It modifies. 68 00:12:17.520 --> 00:12:29.820 Kevin Golden: That is typical for attributed position and also for attributed position in needs to agree with a noun in determination and both of them are lacking the article, so therefore, this would be. 69 00:12:30.540 --> 00:12:43.800 Kevin Golden: Best understood as an attribute position participle so I spread out my hands all the day to a stubborn people, and now we get a bit of description description of them who are the stubborn people. 70 00:12:45.000 --> 00:12:48.780 Kevin Golden: Whole lucky hot Derek Lobo. 71 00:12:49.800 --> 00:12:52.980 Kevin Golden: A car mock chabot thing. 72 00:12:54.360 --> 00:13:07.200 Kevin Golden: Now notice, this is the beginning of some surprising items within this where the poetry is not as terse as we would expect, because we do get the article here on all the key, this is a participle from heloc. 73 00:13:07.680 --> 00:13:17.430 Kevin Golden: masculine plural participle and here you might understand that best is really describing this on to the stubborn people that. 74 00:13:17.970 --> 00:13:35.220 Kevin Golden: People although it's singular it's a collective and therefore you can have this plural participle that's describing it so they are the ones walking hot Derek on the way low tov and here we'll just have to understand low tone it's being used as a. 75 00:13:36.540 --> 00:13:48.570 Kevin Golden: it's an adjective so it's an adjunct title description of Derek so what kind of Derek isn't what kind of way is it it's a way that's not good so maybe literally be the not good way. 76 00:13:49.500 --> 00:13:53.580 Kevin Golden: But in English will come out smoothly as the way that is not good. 77 00:13:54.120 --> 00:14:05.730 Kevin Golden: And then we get a little bit of clarification will what makes this way to not be good, well, the way that is not good is that they are going, after their own. 78 00:14:06.120 --> 00:14:19.110 Kevin Golden: thoughts and here you might notice that the word that is being translated has the Hebrew verb shaab as it's very rude, but this is a great example about how often these verbs. 79 00:14:19.410 --> 00:14:31.710 Kevin Golden: They are transformed into nouns by means of putting them kind of threw a part of civil process and so therefore sometimes are nouns will begin with a main main we're calling both the feel. 80 00:14:32.370 --> 00:14:44.520 Kevin Golden: As well as the PL systems that you will put a name on the front of those verbs and you end up with a participle well this isn't a participle itself right here, it is a noun derived from the Bourbon is. 81 00:14:45.120 --> 00:14:48.600 Kevin Golden: That may be a helpful way to remember how that whole process works. 82 00:14:48.960 --> 00:15:04.200 Kevin Golden: let's keep moving we're on two verses three and four, which once again you'll notice we're going to have that dynamic going back and forth within each by Colin we're going to see some dynamism, a dynamic interplay between various lines as well, so. 83 00:15:04.860 --> 00:15:14.160 Kevin Golden: The first line of verse three Ha ha mock each scene op all tonight Tommy. 84 00:15:15.570 --> 00:15:26.520 Kevin Golden: notice again we get another participle here and because we're going to continue to describe who these people are but also the people are being restated and here's yet another example that. 85 00:15:27.210 --> 00:15:39.600 Kevin Golden: um is singular but yet there's a plural participle describing it because it is again, understood as a collective so they are the people who. 86 00:15:40.200 --> 00:15:59.130 Kevin Golden: Have mock he seem who are provoking both the me to anger now oh fee is somewhat surprising because, after all, typically in poetry we don't have the direct object marker that's what we have here is the direct object marker with the. 87 00:16:00.450 --> 00:16:13.290 Kevin Golden: First person singular common phenomenal stuff it's another thing to take note of is our participle here, Paul mark EC, this is a repeal participle. 88 00:16:14.100 --> 00:16:23.070 Kevin Golden: You may notice we've got the in fixed here at the code our three letter route us and there's the main that is put on to. 89 00:16:23.610 --> 00:16:35.310 Kevin Golden: feel participle and you also remember, he feels are known for having this pod talk under either the name of the participle but also even when they go into the imperfect Indian put on. 90 00:16:36.090 --> 00:16:44.190 Kevin Golden: The The pre formatted so they are the people who are provoking me to exit now remember him feel often has this positive thrust. 91 00:16:44.400 --> 00:16:53.490 Kevin Golden: So call us means to be angry the hip feel cause to be angry, so if you cause somebody to be anger, you are provoking them to anger. 92 00:16:54.030 --> 00:16:57.990 Kevin Golden: And here, if you go to the second colon you'll notice that. 93 00:16:58.350 --> 00:17:10.260 Kevin Golden: The focus upon your way once again is taken up with some intensification that's often the movement that, as you have repetition there's an intensification that takes place so it's to my face. 94 00:17:10.530 --> 00:17:34.290 Kevin Golden: And then also maybe a bit of a carryover that provoking to anger is that it's continually it's not just that they provoked me wants to anger, but they just keep on doing well, how are they doing it well let's go to the next time XO back keim bogarde north, who met Cape cod terrain of. 95 00:17:35.670 --> 00:17:37.830 Kevin Golden: How they need. 96 00:17:39.270 --> 00:17:48.180 Kevin Golden: You get a pair both of these codes start with another participle so here, you can understand it's a masculine plural participle. 97 00:17:48.300 --> 00:17:56.520 Kevin Golden: Just like we had in the previous line so again, this is describing the people, and how are they going about provoking the hallway continually to his face. 98 00:17:56.730 --> 00:18:10.260 Kevin Golden: Well, they are, first of all a little bit team sacrificing in the gardens, and they are making sacrifices smoke upon the bricks now this a participle making sacrifices smoke. 99 00:18:10.710 --> 00:18:22.140 Kevin Golden: Maybe more literally would be making smoke, but the idea here is what do you do when you're offering sacrifices there's smoke arising, this could be the smoke of the incense specifically. 100 00:18:22.560 --> 00:18:29.850 Kevin Golden: That it's not only that they're sacrificing flesh but they're also having some incense sacrifices and therefore the smoke is going up. 101 00:18:30.240 --> 00:18:42.420 Kevin Golden: And you have also parallelism, not only between sacrificing and then that making sacrificial smoke, but also where it's happening in the gardens rather than upon the bricks. 102 00:18:44.100 --> 00:18:53.430 Kevin Golden: keep going into verse four and we get more of the same ha yo chevy bok bok. 103 00:18:54.870 --> 00:19:01.350 Kevin Golden: Read oh bond new net serie yeah the new. 104 00:19:02.460 --> 00:19:11.610 Kevin Golden: So now we have a little bit of a break in the pattern we're going to have another participle here in the first goal and but, in the second call and things change a little bit. 105 00:19:11.820 --> 00:19:19.770 Kevin Golden: And you might also notice that between the two halves of this line there's a little bit of an ab be a pattern. 106 00:19:20.520 --> 00:19:32.040 Kevin Golden: So that we start off with the participle and then we go to a preposition or phrase in the second half, we go propositional phrase, and then we go to a finite for. 107 00:19:32.490 --> 00:19:44.190 Kevin Golden: So hot yoshio be the ones sitting again we're shocked by having the definite article used here not typical poetry, but it's continuing the previous stuff they are the ones sitting. 108 00:19:45.270 --> 00:19:59.520 Kevin Golden: In the tubes that itself leads to a lot of questions, what does that mean that they're sitting in the tombs well one, it could be that this is a matter of they're practicing necromancy that they're trying to communicate with the dead. 109 00:20:00.630 --> 00:20:22.080 Kevin Golden: Likewise, even also speak to them being unclean because of being amongst the dead is something that makes you unclean according to live in law, furthermore, we are told boo bond net to ream yeah yeah LIEN do that in the secret places they lodge. 110 00:20:23.100 --> 00:20:23.700 Kevin Golden: The. 111 00:20:24.720 --> 00:20:31.260 Kevin Golden: question that would arise, is what is meant here by in the secret places we have yet another participle here. 112 00:20:32.010 --> 00:20:42.240 Kevin Golden: But it's being used in a propositional sense in the secret places our verb is not SAR which means to guard, and this is. 113 00:20:43.020 --> 00:20:57.450 Kevin Golden: A call passive participle kind of the big thing that sets you off that you've got a passive participle Well, first of all, we know it's a participle but notice that shirt in there and that's the telltale sign of a call past participle. 114 00:20:57.900 --> 00:21:04.290 Kevin Golden: But what does that mean it is in the secret places it's interesting the set to urgent takes this rather. 115 00:21:05.130 --> 00:21:18.900 Kevin Golden: takes us in a little bit different direction the step to urgent translates this as being in the caves and so maybe that's the secret places and but that might also just be the sub region trying to smooth this out. 116 00:21:19.380 --> 00:21:26.580 Kevin Golden: Because we're we're tombs typically well in the caves that is often where people were laid to rest. 117 00:21:28.080 --> 00:21:37.680 Kevin Golden: Next, one how old kaleem Bashar hot cozier who can rock pig googly can lay have. 118 00:21:39.180 --> 00:21:42.150 Kevin Golden: The ones eating notice again yet another. 119 00:21:42.900 --> 00:21:57.900 Kevin Golden: Part of civil and yet again we are surprised to see the article on it, they are the ones eating the flesh of swine now that again focuses on the unclean it's the previous line the unclean this at the among the dead here they're unclean because. 120 00:21:58.230 --> 00:22:12.420 Kevin Golden: they're eating the flush of swine and then also the broth of unclean meat is in their vessels now a couple of things should be noted, there when we get to the last word of that line Kelly him. 121 00:22:12.990 --> 00:22:25.410 Kevin Golden: That it means their vessels, and I am supplying the words is in now, first of all we're understanding this as a verb listens and we're supplying the verb is, but then in. 122 00:22:26.190 --> 00:22:32.370 Kevin Golden: There is no preposition actually placed upon this word and so it's what we like to call an agile. 123 00:22:33.030 --> 00:22:42.420 Kevin Golden: That it's there, and you have to use the context to help you understand how is it being used in here, it makes perfect sense that there's broth of unclean meat. 124 00:22:42.930 --> 00:22:54.540 Kevin Golden: Well relation with that have to their vessels, well, it would be in their vessels now one more thing to take note of is when it comes to this first word have rock. 125 00:22:55.290 --> 00:23:06.030 Kevin Golden: That it's kind of difficult to make sense of what that is, and so, if you look in the cattery, this is the mathematic notes in the side of your. 126 00:23:06.600 --> 00:23:25.410 Kevin Golden: of your DHS your bibliography America Stuttgart nz up that they understand that the measured say he that you ought to cattery you ought to read this, you are to say, instead of rock you should say math rock because, then that is where you would get broth from. 127 00:23:27.390 --> 00:23:38.400 Kevin Golden: Right let's keep going into verse five and again we're going to be looking at that dynamic you'll notice verse six is going to change the dynamic a little bit for us because it's got three colons instead of just two. 128 00:23:39.090 --> 00:23:50.010 Kevin Golden: per line so verse five how old marine camera rob a leg up to gosh be key can dosh tika. 129 00:23:51.690 --> 00:23:59.340 Kevin Golden: We keep going with a another part of civil war, Maria that one should be easy to pick out since our common verb Omar and we've got the. 130 00:24:00.240 --> 00:24:14.340 Kevin Golden: plural masculine suffix with upon it again the surprising use of a of the article on the front hobble marine so the one saying and what are they saying can rob a lake. 131 00:24:14.970 --> 00:24:27.450 Kevin Golden: kirov would be imperative all imperative from rob and it means to draw near and then a lake others your propositional phrase to you, but if you're saying it. 132 00:24:27.780 --> 00:24:43.110 Kevin Golden: To to them you drawn air to you will draw near to yourself, and now this is what they are saying, if you will perhaps specifically to draw near to yourself, maybe it's also what they said to. 133 00:24:45.630 --> 00:24:56.160 Kevin Golden: To Isaiah but, again, this is part of you always response to Isaiah as lament and he's saying hey these people I sought after them, and you have, what did they say to me. 134 00:24:56.850 --> 00:25:06.180 Kevin Golden: draw near to yourself, and then they furthermore said all to to gosh be key at Osh tikka. 135 00:25:06.840 --> 00:25:20.010 Kevin Golden: Do not approach me because I am set apart from you now notice there you go from the imperative karate draw near to a negative imperative all to gosh you'll recall that. 136 00:25:20.970 --> 00:25:31.560 Kevin Golden: standard way to do it negative imperative and Hebrew is all plus the imperfect second singular form so that's what we have here with all to gosh. 137 00:25:31.860 --> 00:25:44.910 Kevin Golden: Now the verbal route is know gosh the nun has assimilated in the US, you see the dog ish there, and so do not approach the antithesis it's a negative way of saying the same thing as draw near. 138 00:25:45.510 --> 00:25:56.310 Kevin Golden: To yourself so draw near yourself just don't draw near to me why because i'm set apart from you know you'll notice i've translated it that way, but our verb here is actually cut off. 139 00:25:56.880 --> 00:26:12.390 Kevin Golden: What a shocking thing for them to say that they are literally holy that they are set apart, if you will, from your way he's really giving some potency to just how perverse their approach has been. 140 00:26:14.190 --> 00:26:19.380 Kevin Golden: A lead a Sean that our fee ah. 141 00:26:20.400 --> 00:26:21.630 Kevin Golden: yeah can I. 142 00:26:22.830 --> 00:26:38.640 Kevin Golden: call you they are smoke in my nose a fire burning all the day now we start off here with a lead, that is our demonstrative pronoun literally means these in here it's referring back to these. 143 00:26:39.060 --> 00:26:48.780 Kevin Golden: people that have been described, through these previous verses and now he's seen as a result of this, these ones, or we might just smoothly say they are. 144 00:26:49.680 --> 00:26:52.740 Kevin Golden: For a sentence, they are a son. 145 00:26:53.490 --> 00:26:58.140 Kevin Golden: In my notes, they are smoke in my nose now what does that need to be smoking, the nose. 146 00:26:58.380 --> 00:27:10.740 Kevin Golden: Well smoke in the nose it irritates it troubles you, and so this is what he is saying they've been setting up the smoke of their fall sacrifices and now it's in my nose is not a pleasing aroma, but it is. 147 00:27:11.610 --> 00:27:24.180 Kevin Golden: pungent it is and pleasing to me and, furthermore, they are a fire burning all the day now, you can see the relation there between obvious of smoke and fire, but it doesn't stop. 148 00:27:24.840 --> 00:27:30.570 Kevin Golden: Furthermore, burning in the gnosis is a break way to even talk about how. 149 00:27:31.260 --> 00:27:48.960 Kevin Golden: The anger that is a kindle remember off nose is idiomatic and Hebrew for anger and wrath and furthermore burning can often be used so there's a tie between these each of these two bullets about the anger that they are inciting within. 150 00:27:50.040 --> 00:28:07.830 Kevin Golden: So therefore where are we go for six and a half ooh la la lap and I behold, it is written before me, or we might even say it's written concerning me might be another way to do this, but Casanova here's yet another. 151 00:28:09.180 --> 00:28:14.880 Kevin Golden: Call passive participle from pathak means to write and the. 152 00:28:16.230 --> 00:28:22.740 Kevin Golden: shrek here between the second and third route letters again is are telltale sign that we've got a call passive part of. 153 00:28:24.840 --> 00:28:35.400 Kevin Golden: What is written, regarding your way low at cash that said he m sholom T that Shalom do all pay calm. 154 00:28:36.300 --> 00:28:59.490 Kevin Golden: what's written about him is and here you can understand it's him speaking of himself because we're back to those first person common verbs I will not be silent until I require, so I will not here's our verb to shut Casa and it's negated there's my knowledge of the. 155 00:29:00.510 --> 00:29:11.070 Kevin Golden: imperfect first singular common, I will not science he in he m we're used to key being either for. 156 00:29:11.700 --> 00:29:27.180 Kevin Golden: most commonly a causal clause or maybe indirect discourse where we translated as that, but when a tag teams, with him, as we have it here, it can be best understood as until, so I will not be saved until. 157 00:29:27.720 --> 00:29:40.290 Kevin Golden: I required should sholom tea, and then we take up that exact same verb and I will require upon their Buddhism hey calm now. 158 00:29:40.830 --> 00:29:54.810 Kevin Golden: hey calm could also be upon their lap but the idea here is that it's right there as intimately close to them, as can be take note of that, because that same word hate COM is going to come up later. 159 00:29:55.860 --> 00:30:00.780 Kevin Golden: let's keep moving through our text run number seven and again notice we're going to have. 160 00:30:01.500 --> 00:30:11.130 Kevin Golden: That dynamic interplay one more thing to note about verse seven before we start translated, it is notice at the end of verse seven we do have this sonic sitting there and you'll recall that that is. 161 00:30:11.340 --> 00:30:18.390 Kevin Golden: A mathematic way to to note the end of a paragraph now specifically, this would be a closed paragraph. 162 00:30:19.020 --> 00:30:25.800 Kevin Golden: But as we transition from one paragraph to another that kind of points out that verses eight nine or we kind of starting. 163 00:30:25.890 --> 00:30:36.870 Kevin Golden: Another thought, but of course there's a progression going on here so while eight nine are distinct a new paragraph Nevertheless, they will relate to what we see in verses one through seven so verse seven. 164 00:30:38.370 --> 00:30:47.520 Kevin Golden: Of oh no fake that on North are both a cam Jaak TAO amar E, F way. 165 00:30:48.600 --> 00:30:57.660 Kevin Golden: Your guilds and the guilt of your father's together says yeah wait Now this is kind of setting things up, what are we going to say about. 166 00:30:57.990 --> 00:31:10.560 Kevin Golden: The guilt of the people, as well as the guilt of their fathers, now that points out a couple of things, but let's do a double some grammar before we talk about maybe the kind of the import this thrust of this language. 167 00:31:11.790 --> 00:31:23.760 Kevin Golden: On will say cam There we have our noun and the cam is the pro nominal suffix your and it's also we get that same pro nominal suffix you're on the end of. 168 00:31:23.970 --> 00:31:40.350 Kevin Golden: Both take em so it's your father so it's both your Guild or also this word can mean trespass so your trespasses trespasses and the trespasses of your father's together says y'all way are going to do something right. 169 00:31:40.890 --> 00:31:45.150 Kevin Golden: Furthermore, do notice that these are plural that it's. 170 00:31:46.140 --> 00:31:59.370 Kevin Golden: A vote no and although know fake him so that is plural, which is why trespasses or we understand it, as your guilt sadness guilt illnesses, or something like that. 171 00:31:59.910 --> 00:32:14.100 Kevin Golden: Well, what are we going to say about that next line i'll share kit tech guru all pottery that all hot gamble get both hey read food me. 172 00:32:15.030 --> 00:32:27.600 Kevin Golden: Because they made smoke upon the mountains and upon the hills, they were approached it now we're still building up because of their guilt and now we're kind of describing how where's that guilt found what did they do. 173 00:32:28.080 --> 00:32:41.550 Kevin Golden: And because of kind of that progression, which is why i'm going to take a share as kind of causal right, but really you could even do this as the typical use of relative pronoun and say which so that. 174 00:32:42.420 --> 00:32:52.140 Kevin Golden: their guilt and what is that is that guilt, which, in which were by which they made smoke upon the mountains and upon the hills, they were approach. 175 00:32:53.190 --> 00:32:56.700 Kevin Golden: So, but it's again shocking to see a share here. 176 00:32:57.000 --> 00:33:10.170 Kevin Golden: Is this is yet another example, we have now seen all three pros particles popping up within this passage and furthermore we've seen the definite article, a great deal, but now we've seen all three pros particles of shocking. 177 00:33:10.800 --> 00:33:23.460 Kevin Golden: Furthermore, take note of the dynamic of the parallelism here that we kind of have again an A, B, be a pattern as we go from which is then. 178 00:33:25.830 --> 00:33:40.290 Kevin Golden: paralleled and the second line with hey pay ref who need and then also the propositional phrases all have our dream is parallel and the second half of the line with that all had. 179 00:33:41.460 --> 00:33:49.290 Kevin Golden: ha give up, but both now obviously upon the mountains and the hills really has a very similar meaning. 180 00:33:49.560 --> 00:33:57.030 Kevin Golden: But, will you can see some progression in the verge it goes from they made smoke same verb that we saw earlier, by the way, about the. 181 00:33:57.180 --> 00:34:08.910 Kevin Golden: Making smoke grow up you might notice here it's especially apparent that it's a PL verb there's my dog ish in the middle group letter my first route letter is pointed with a hearing to kill. 182 00:34:09.900 --> 00:34:19.080 Kevin Golden: But now we have a progression well because they made smoke, what did that do that were approached me and showed a disdain and a lack of respect for you. 183 00:34:20.520 --> 00:34:27.660 Kevin Golden: let's go to the last line of this verse or my Dorothy pet ooh la. 184 00:34:28.740 --> 00:34:40.710 Kevin Golden: ratio non all a calm there's that word that we saw earlier but will translate this as I will measure their recompense first. 185 00:34:41.370 --> 00:34:51.210 Kevin Golden: upon their business so again his judgment is coming very near to them as intimately present in their life, as you can imagine. 186 00:34:51.780 --> 00:35:10.800 Kevin Golden: Furthermore, what you always specifically says is I will measure their recompense first rich show nah here, you might see that this is coming from it's related to our word Roche, that means top or head, but here, in this specific form it means first. 187 00:35:12.210 --> 00:35:13.380 Kevin Golden: let's go on diversity. 188 00:35:14.790 --> 00:35:22.080 Kevin Golden: Again here's vs, eight, nine, a lot of parallelism going on first line of verse eight Cole Mr Dr way. 189 00:35:23.160 --> 00:35:29.760 Kevin Golden: haha share good must say hot tea Roche bet ash whole. 190 00:35:30.780 --> 00:35:39.120 Kevin Golden: Now, this makes sense that verse eight is starting a new paragraph because it starts off with a tell tale. 191 00:35:39.510 --> 00:35:52.710 Kevin Golden: phrase that is used, often by Isaiah and it's usually a way to kind of begin something new or unique thing that he is saying, but here Cole Mr yahweh the US says your way. 192 00:35:53.370 --> 00:36:02.460 Kevin Golden: And what is the same will share their again is my relative pronoun here with the preposition on it, which is usually used. 193 00:36:03.060 --> 00:36:13.980 Kevin Golden: Simply to translate his ass, so this is your way as and now notice yen must say there's my Vermont saw that we saw earlier in our translated. 194 00:36:14.250 --> 00:36:21.480 Kevin Golden: And notice again, this is another nipple for now we're in the imperfect and so within the imperfect of the nipple. 195 00:36:22.140 --> 00:36:43.980 Kevin Golden: The nun goes away and because it assimilated into the first letter, so that you now see that dogfish within the May, so you must say would be it is found, and what is found, well, we get our verbs are now in our subject hot tea Roche wine notice again that surprising use of the article. 196 00:36:45.060 --> 00:37:02.310 Kevin Golden: So as wine is found, and then BA eshkol in the cluster all right, what more will we always say that Mr all tosh he fe who key better call flow. 197 00:37:02.880 --> 00:37:16.050 Kevin Golden: And he says, and the he here, we should probably understand is just somebody it's just a young lady is giving a wreck kind of maybe a an idiomatic phrase, a common. 198 00:37:16.590 --> 00:37:28.530 Kevin Golden: wisdom of the day that hate wine is found in the cluster and he says somebody will say all cash Keith they who here's another field. 199 00:37:29.130 --> 00:37:42.330 Kevin Golden: And it's a negative imperative all plus the imperfect is how they do it negative imperative and so here i've got my towel pre formative it's pointed with a pod talk telltale sign. 200 00:37:42.630 --> 00:37:59.220 Kevin Golden: Of a hippie to have also got my in fixed purity code So yes, it is that hit feel verb so do not ruin it why because better I call a blessing in it so we'll understand this as a verbal sentence. 201 00:37:59.910 --> 00:38:06.900 Kevin Golden: blessing is in it, or there is a blessing in so don't ruin inch because there's a blessing it. 202 00:38:08.760 --> 00:38:09.570 Kevin Golden: came. 203 00:38:11.730 --> 00:38:21.030 Kevin Golden: And said lemme on ADI legibility harsh Keith hostile. 204 00:38:22.380 --> 00:38:34.020 Kevin Golden: The US I will do for the sake of my servants in order to not ruin the whole so, in other words the previous statement that yahweh gave was it's common. 205 00:38:34.500 --> 00:38:46.350 Kevin Golden: wisdom among you that if you find wine in the cluster So if you will, some of the grapes are going sour already or the grades are already fermenting and it's. 206 00:38:47.070 --> 00:38:55.140 Kevin Golden: getting a little far along well you don't ruin everything because there's going to be something good with it so because some is going bad you don't. 207 00:38:55.470 --> 00:39:12.120 Kevin Golden: throw out the whole lot will yahweh says does, I will do for the sake of my servants in order to not ruin the full now notice, we have our common word pain, the US at SAC there's my verb Assad and it's an imperfect. 208 00:39:13.110 --> 00:39:21.570 Kevin Golden: For singular common with that Allah pre formative lemme on for the sake of of a dye my servants. 209 00:39:21.930 --> 00:39:28.410 Kevin Golden: Then we get to the second half of the line lability, you will remember that built it is one of the words used in Hebrew to. 210 00:39:28.620 --> 00:39:44.760 Kevin Golden: negate a verb but it's specifically is used to negate infinitives and here it's a negating and infinitive construct and that's why there's the llama ID that is placed on the front of build it, and then we get our infinitive construct ha chef. 211 00:39:45.270 --> 00:40:12.750 Kevin Golden: chuck Keith same verb that we had before up here in the previous line about not ruining So it is that rather hippie also in order to not ruin the whole the whole last verse verse nine that hold safety ne ne a cold Zara ooh me who da your. 212 00:40:14.040 --> 00:40:14.760 Kevin Golden: horizon. 213 00:40:15.900 --> 00:40:23.190 Kevin Golden: I will bring from Jacob a seed and from judah one inheriting my mount. 214 00:40:24.060 --> 00:40:36.240 Kevin Golden: We start off with a verb yet saw and you may recall that a lot of first your verbs were originally first wow birds and so when you move into the hippie Oh, this is, I feel there's my a. 215 00:40:36.600 --> 00:40:50.340 Kevin Golden: feel of the code will become a wow and so that's what is taking place here, and this may also ring bells within your head, because the hip field of yacht saw is huge in the book. 216 00:40:50.670 --> 00:40:56.280 Kevin Golden: Of exodus, that this is what yahweh does he causes people to come out. 217 00:40:56.610 --> 00:41:11.970 Kevin Golden: or he brings them out of Egypt, so now he's saying I will bring out from your whole from Jacob a seed now what you can really hear here is a lot of what y'all way has done in the past, for his people. 218 00:41:12.330 --> 00:41:24.660 Kevin Golden: you've got this whole field of yacht saw which harkens back a lot to exodus me a cove harkening back to Jacob and to all the promises given to him. 219 00:41:25.890 --> 00:41:40.980 Kevin Golden: Within exodus and Zara a seed a seed, that is huge, not only in the first promise to Adam and Eve in genesis three about the seed of the woman, but also the seed coming for Abraham later in genesis as well, so a lot of. 220 00:41:41.370 --> 00:41:50.340 Kevin Golden: being built here upon yali is keeping is going to keep his promises and then Furthermore, you go from Jacob to me. 221 00:41:51.090 --> 00:42:03.660 Kevin Golden: me who da from judah so Jacob being renamed judah and now, instead of it being the seed it's going to be one inheriting the mountain so here's my verb Dr Raj and. 222 00:42:04.050 --> 00:42:14.910 Kevin Golden: Here it is your Rosh meaning to inherit is being put into participle form and you'll remember when we move into a participle in the call it's a telltale sign. 223 00:42:15.660 --> 00:42:26.400 Kevin Golden: As a whole, them on the first letter well here is even with the montclair letter, so this might be what we would call the plan a spelling of the full the greater spelling. 224 00:42:26.760 --> 00:42:37.410 Kevin Golden: Of that participle and from judah all right, not only will y'all we bring out of Jacob a seed he's going to bring out of judah one inheriting my mountains. 225 00:42:39.330 --> 00:42:42.990 Kevin Golden: There, excuse me V Ray shoe ha. 226 00:42:44.040 --> 00:42:54.720 Kevin Golden: That potter I that are bi di yesh had new shama and my chosen ones will inherit it. 227 00:42:55.320 --> 00:43:09.780 Kevin Golden: And my sermons will blow there now this last line of our translation you're going to notice we're back to an A, B, be a pattern we go with verb and then subject, and then we go subject. 228 00:43:10.170 --> 00:43:19.740 Kevin Golden: And then verbs so a little bit of back and forth, and furthermore you'll notice up the ratio haha we've got a pro nominal suffix on it. 229 00:43:19.980 --> 00:43:29.820 Kevin Golden: And that ha is actually a third singular feminine and the question would be, what does that harkening back to my chosen ones will inherit it. 230 00:43:30.300 --> 00:43:40.560 Kevin Golden: It could be that it's harkening back to raw it can't be harkening back to heart and the previous line as far as specifically masculine but zero ra is. 231 00:43:41.070 --> 00:43:55.140 Kevin Golden: Is kind of non gender specific sometimes it's feminine sometimes it's masculine and here I might just take it as feminine so that my chosen ones are going to inherit that seed that promised, one that I say is going to come forth. 232 00:43:55.590 --> 00:44:15.150 Kevin Golden: And my sermons that Bob Bob I yesh can new shamma will dwell there now here, there would probably be marketing back to the mountain so again that kind of mini draws us to say that the phenomenal suffix back here this ha. 233 00:44:15.900 --> 00:44:30.900 Kevin Golden: it's heartening to see so that, with both of the colons within this line with a heart into is what is directly above it shimano goes back to a rye, and that the hot here goes to those around so notice what has happened. 234 00:44:31.440 --> 00:44:39.720 Kevin Golden: we've had yeah always reply to Isaiah Islam end and you always reply all along, has been this I didn't seek out my people. 235 00:44:40.350 --> 00:44:48.510 Kevin Golden: Even when they weren't seeking me I was spreading out my hands to them that I might call them to myself and they just wouldn't listen. 236 00:44:48.870 --> 00:45:00.390 Kevin Golden: But you know what, even though they have been a stench in my nostrils they have been smoke in my nostrils because of their idolatrous practices going after even maybe even necromancy. 237 00:45:00.990 --> 00:45:13.290 Kevin Golden: Nevertheless, i'm going to save them i'm not going to ruin the whole but i'm going to safeguard my people for those for that faithful remnant, that is, with it. 238 00:45:14.130 --> 00:45:27.810 Kevin Golden: Even as there is wine found in the cluster and you don't ruin the whole thing because there's still a blessing in it so i'm going to do for the sake of my servants and, in fact, not only will I not ruin them i'm going to bring out from Jacob a seed. 239 00:45:29.250 --> 00:45:33.330 Kevin Golden: And they're going to inherit that seed the savior is coming. 240 00:45:41.820 --> 00:45:48.930 Kevin Golden: Now I pray that this time that we have spent together in studying Isaiah 65 verses eight through nine has proven beneficial for you. 241 00:45:49.320 --> 00:45:57.660 Kevin Golden: I know I myself have enjoyed spending some time with you taking a look at this and I pray that it not only in deepens your appreciation for what. 242 00:45:57.870 --> 00:46:07.560 Kevin Golden: The Lord has delivered to us through yahweh his servant but also maybe it's going to help you as you write a sermon and such until next time the Lord be with you.